Showing posts with label memory. Show all posts
Showing posts with label memory. Show all posts

Monday, April 24, 2017

My New Yorker Life, April 24, 2017


A connection at first touch.
Learn more.

What if technology could help
on the stink highway.

Name & name
a mushroom.

Stay well.
What is your succulent?

Rarely the one you expect.
Trespass when it comes uninvited:

Brand. Brand.com
Artists of the south,

the great glass elevator: the world.
This tableau is positioned to contrast

the man behind the mind.
A sturdy stance and a blurred head,

the more ways to wear,
live your life

heavy metal.
Towering sets, ornate costumes,

thanks for finding us.
To evoke a single arc

for an original mix
as spare and unconsoled as anything

overgrown with facial hair,
she makes narratives out of gestures,

half-buried in a mound of sand.
Every spit take and sight gag,

what would that sound like?
Blows the stuffing out of seashells,

the temples of the southern state.
Who purchases a book will receive a rose,

the heart of a puntarelle.
Start planning

alarm at what they say, shock
like a woke hieroglyph.

Trigger the question
in my childhood bedroom,

smell even better in the future.
I wish my life was that free

with the culture, the attire,
the most precious vehicle

people want to see.

Wednesday, March 22, 2017

Broken Records: The Playlist, or, The Three Brunettes

On or around March 21, 2016, punctum books released my hybrid memoir/discography Broken Records, in which I recall what it was like to be a teenager, and then a 20-something, and then a 30-something during and after the break up of Yugoslavia, and all the wars, secessions, and nation-building, from about 1991 to about 2008. As ridiculously huge and heavy as all that sounds, the memoir is less than 190 pages long.


To mark the anniversary, here's my YouTube playlist with all the 49 songs from the book. It's possibly the most random playlist ever, but it will all make sense to my readers.

The opening song of the playlist, by the one and only Sabrina, isn't mentioned in the book directly, but it's an example of Euro disco pop which I do reference as the garish musical wallpaper of my childhood.


The very last song, "Because the Night" by Patti Smith, is the song I sang in Belgrade as NATO missiles were about to strike their first targets on March 24, 1999, when I was 25. Again, my readers find all this completely reasonable.


Wednesday, March 30, 2016

The Stars on Fire, the World in Flames

In my brain, there is a video file. If I hit play, I see two married couples--my parents one of the couples--and a single dude in a car. (I wasn't there; my brain simply filed away a story I heard as a child.) My dad is driving, the single dude is in the passenger seat. In the back seat: my mom, her friend, and her friend's husband, also a close friend. They're crossing a bridge after an evening out. It's a broad, gorgeous concrete bridge over the Danube, somewhere in the Pannonian part of Yugoslavia. As they're driving across the empty bridge in the middle of the night circa summertime 1978, the radio is playing an old-timey, waltzy song. My dad pulls over, opens the door to the small Fiat-ish car (but made in Yugoslavia and thus called simply Fitcho), and the song spills and trickles all over the concrete bridge like syrup in a 3/4 time signature. On cue they all exit the car, and my mom's friend and my dad begin waltzing all around the car.

The brain file is a reworking of a story nobody remembers. But I remember my dad telling that story and commenting how the single dude--a foreign friend, it turns out--who was hanging out with them was a bit shocked that two friends of the opposite sex who were not married to each other would hold each other and dance. The foreign friend had came to Yugoslavia from another country to study. He had to learn the language from scratch in order to become an engineer. He made friends, such as my parents and their friends. But he never drank and never danced with a girl. My dad and his friend danced to show him that it wasn't a big deal. I remember that story and I remember feeling embarrassed for my parents and their assumptions about this foreign friend, who I hadn't even suspected, for a long time, was a foreign friend, since I had little concept of countries. But, having learned he was a guest in "our" country, my gut told me it just wasn't proper host-like behavior for my parents and their friends to make assumptions and try to educate their friend who had just obtained his medical or engineering degree.

This friend was, I understand that now, from one of the Arabic countries that had joined the Non-Alignment Movement, along with Yugoslavia, India, Indonesia, Ghana, and Egypt, back in the 60s. Instead of studying in his own country or in the West, he ended up in Yugoslavia. Perhaps he later married a Yugoslav and stayed in the country. Or perhaps he settled back in his homeland. Or found a third country. Perhaps he had to flee and become a refugee in 1991 or 1992 or 1995 or 1999. Or 2016. 

Perhaps he remembers that evening on the bridge, that waltz, the feeling of lightheadedness, the laughter, the certainty of a bright future in the summer night. Perhaps he remembers looking up at the sky, at all the same constellations he'd see back in Iraq, Jordan, Kuwait, Lebanon, Syria. (I still don't know where he was from. I was too young to grasp geography back in the 70s.) Perhaps he remembers his provincial, well-meaning friends dancing on the bridge, and perhaps he remembers his punk rock friends in Belgrade jumping around to this crazy record called "Non-Alignment Pact" by Pere Ubu that was new at the time. They sang:

I wanna make a deal with you girl
And get it signed by the heads of state
I wanna make a deal with you girl
Be recognized round the world
It's my nonalignment pact
Nonalignment pact
Sign it!

At night I can see the stars on fire
I can see the world in flames